Bushan and Riya get married as a planned match. While things are about to change in their lives, a mistake from Bushan throws the progress of a new relationship off track.

Your brain can tell you one thing and find you trying on another, and we’ve all been victims for some time. But what if this happens during the wedding? Mann Fakiraa is trying to figure out what happens when a planned game almost goes awry.

Bushan (Suvrat Joshi) and Riya (Sayali Sanjeev) went to the traditional Maharashtrian customs that organized weddings and tied the priest's knot. Both of their lives are in the book of change. But, on their first night, as they were finishing their marriage, Bushan mentions the name of his Marathi movies (Anjali Patil) in bed. you will think about how things changed at that time. However, after giving you an idea and also revealing the name of her ex-boyfriend Nachiket (Ankit Mohan), Riya suggests an idea that would help her and Bushan to visit their officials again, as both have not made it clear to proceed. But does the system work? Are Mahi and Nachiket still single and available? Will Bushan and Riya be able to convince their parents of this strange plan? you will find the answers when you watch the movie.

The original director of the character Mrunmayee Deshpande is an inspiring story Marathi movies . It takes a modern view of complex relationships and to do so from the outside of the box, but balanced, in perspective. However, the plot is not in line with what makes the film suffer.In the first jiffy you are introduced to the spirit of the wedding and understand that there is a certain problem between those who will be the bride and groom. the story itself emerges within the next jiffy and you start to expect tons, thanks to this novel title. But, again, performance is predictable. Also, clever cuts and more on the editing table would give the film the best treatment possible. In an effort to engage as many of us as he can, Mrunmayee removes the movie a few times.

Working wisely, Saali and Anjali are outstanding. Anjali because a liberal apostate exists, while Sayali because an understanding wife / girlfriend is sincere. Ankit has a short role and there is nothing much about him that he can try beyond eye treatment. Suvrat, though sincere, takes a brilliant path to his character, shining only in certain parts.

The good thing about Mann Fakira is its story and, to some extent, the music (by Siddharth-Soumil). Mrununayee ticks one box (story) into his first directorial, but fails in the other (execution). That is to say, there is an understanding of how Mrunmayee demonstrates and it is entirely possible, his next will be improved and more enjoyable.

As for Mann Fakiraa, it’s a real effort, but not the easiest one. Watch it if you are not a fan of the characters and need to seek special testing relationships.

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